DUPRÉ, Louis. Manolis Vlachos (ed.), Louis Dupré, Ταξίδι στην Αθήνα και στην Κωνστaντινούπολη, [Louis Dupré. A Voyage from Athens to Istanbul.] Athens, ΟΛΚΟΣ, 1994.
The French painter Louis Dupré (1789-1837) was born in Versailles and died in Paris. Little is known about his family or his childhood. Dupré had a powerful patron, Count Clément de Ris, thanks to whom he was able to study in the School of the renowned painter Jacques-Louis David, an apprenticeship that had a decisive impact on his personality as well as his art. In 1811, Cardinal Joseph Fesch, Bishop of Lyon, connoisseur and statesman, sent Dupré to Kassel, where he was named court painter to the king of Westphalia, Jérôme Bonaparte, who also facilitated Dupré’s journey to Rome to study, in 1813.
In Italy, Dupré travelled, studied and drew antiquities, in particular vases, while developing his skills in landscape and portrait painting. He became acquainted with artists such as the sculptor David d’Angers, the painter J.A.D. Ingres, the composer J. Rossini and the architect C.R. Cockerell. He met three British art lovers, Heyet, Hay and Viwian, who suggested that he accompany them on their journey to Greece, in February 1819.
This journey, which lasted until April 1820, completely met Dupré’s expectations. He saw the ideal world of ancient Greece reveal itself before his eyes, the scope of his subjects became broader and his art was animated by a fresh "élan". The party of four travelled to Corfu, Epirus, Thessaly, Central Greece, Attica, and the Saronic islands. Dupré himself continued on to Constantinople and Bucharest, invited by Michael Soutsos (1784-1864), great dragoman of the Sublime Porte and prince of Moldavia.
Polite, sociable, energetic, forthright, courageous and honest, with his love of freedom and homeland, Dupré immediately became well-liked by the Greeks. In 1825, after his return home, he published his travel album with forty lithographs in colour, etched by the best lithographers in France. From 1827 onwards he exhibited his Greek-themed paintings in the yearly Paris "Salon". Another album, in small format with twelve lithographs, circulated after his death.
Man, nature, religious sentiment, the reminiscence of antiquity and the charm of the East are Dupré’s favourite subjects. However, the journey to Greece was a landmark in the evolution of his thematic repertoire. Although nature has the power to give new wings to memory and imagination, Dupré gave priority to portraits and costumes. He depicts human types with precision, devoid of passion, exempt of exoticism, he makes an appraisal of countenance, posture and dress, while each detail refers the viewer to the whole and vice versa. In all of Dupré’s works there is a clarity of subject, while the ethos of the representation is enhanced in a balanced composition. His fluid, flexible lines achieve a harmonious union of drawing and colour. He succeeds in highlighting the cultural differences between East and West.
Written by Ioli Vingopoulou
Subjects (94)
-
Portrait of Muhammad Ali, viceroy of Egypt, and Suleiman Pasha, by Louis Dupré, 1836.
-
Ali Pasha Tepelenli of Ioannina. Drawn from nature on 14 March at Butrint Lake, by Louis Dupré.
-
An Armenian nobleman and his wife by Louis Dupré. (Duz Oglou family).
-
The Acropolis seen from the house of French conslu M. Fauvel, by Louis Dupré.
-
Janissary of the imperial guard and gardener, by Louis Dupré.
-
Sailor of the Imperial Navy, serving at the Ottoman admiralty, by Louis Dupré.
-
The Temple of Olympian Zeus and the Acropolis, by Louis Dupré.
-
Ali Pasha of Ioannina, at a hunt at Butrint Lake in March 1819, by Louis Dupré.
-
The Palace and the Castle of Ioannina as seen from the lake. Turk and young Greek, by Louis Dupré.
-
Nikolakis Mitropoulos raises the flag with the cross at Salona on Easter day 1821, by Louis Dupré.
-
Tatar, and members of the Lion of Chaeronea, by Louis Dupré.
-
The Temple of Olympian Zeus and the Acropolis, by Louis Dupré.
-
Ferry of Perama, Entrance to the Southern Passage of Corfu, coloured aquatint by J. Cartwright.
-
Corfu; the city, fortress and port from Vido island, coloured aquatint by J. Cartwright..
-
Corfu; the gardens of Alcinous, water-colour by H. W. Williams.
-
Albanian man from Ioannina, coloured aquatint by J. Cartwright.
-
Visit to Ali Pasha, drawing with watercolour wash, by W. Turner.
-
Modes of travelling in Turkey, coloured copper engraving by W. Turner.
-
Muslim woman, engraving from J.C. Hοbhouse, “A Journey through Albania...”, London 1813.
-
Ioannina from the island on the lake, copper engraving from an edition by C.R. Cockerell.
-
Ioannina; the Saray of Ali Pasha, copper engraving from an edition by C.R. Cockerell.
-
Interior of a peasant hut, lithograph from edition by O. M. Von Stackelberg.
-
View of Meteora, lithograph from edition by O. M. Von Stackelberg
-
Greek house in Tyrnavos, from the courtyard, lithograph by Louis Dupré.
-
Greek house in Tyrnavos, from the courtyard, lithograph by Louis Dupré.
-
Mount Olympus seen from Larissa, coper engraving from edition by Ed. Dodwell.
-
The tomb of Hassan Baba in the vale of Tempi, copper engraving from edition by Ed. Dodwell.
-
Athens from Tourkovounia, copper engraving from edition by Ed. Dodwell.
-
The Temple of Olympian Zeus and the Ilissus, copper engraving from edition by Ed. Dodwell.
-
The Temple of Poseidon in Sounion, copper engraving from edition by Ed. Dodwell.
-
View of Uzunköprü bridge over Ergines river, by Luigi Mayer.
-
The Mosque of Sultan Ahmed in Istanbul, copper engraving by Luigi Mayer.
-
The encampment of the prince of Moldavia, lithograph by Louis Dupré.