MAYER, Luigi
Luigi Mayer (1755-1803) was a painter of German and Italian descent. He was born in Rome, was a pupil of well-known engraver J.B. Piranesi and worked for Ferdinand, King of Naples, creating paintings of the antiquities of Sicily. Later on, probably from 1776, he was in Istanbul and formed part of the circle of Sir. R. Ainslie, ambassador of Britain to the Sublime Gate (1776-1792). From then onwards, the ambassador financed Mayer's journeys so that the artist would draw and depict sights in the Ottoman empire and in particular the antiquities.
By the information provided in an anonymous account in manuscript, by a person who travelled with the artist for some time, and the subjects of Mayer's paintings, it is possible to recompose his itinerary, at least for 1792. Mayer travelled and made drawings of landscapes in Cyprus, Egypt, Palestine, Syria, Caramania, Rhodes, Caria, Lycia and Samos. Some of his works from Ephesus and Corinth are known, but it is unclear when he visited those locations. Finaly, while accompanying Ainslie on his return trip to England, Mayer was able to paint landscapes in European Turkey, Bulgaria and Rumania.
Mayer dwing ancient monuments, but also added picturesque details from everyday life, local costume and expressions of social life. It is unknown where the original drawings by the artist are today. A number of his works formed part of the Ainslie Collection and were later given to the British Museum.
Mayer's works became very popular, were lithographed and circulated widely in consecutive editions from 1801 onwards. These editions, which were completed gradually, included paintings by Mayer representing various subjects and done in various engraving techniques, coupled with commentaries in three languages (English, French and German). The descriptions which accompany the illustration are excerpted from travel accounts of the same period.
Written by Ioli Vingopoulou
MAYER, Luigi - Cyprus
MAYER, Luigi - Rest Images
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Woman of Caramania carrying her baby. Behind follows her daughter, carrying a bowl of water.
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Lycian sarcophagi at Andriake (today Çayağzı), the port of ancient Myra (today Demre).
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"Archocrateion", Hellenistic rock cut tomb, at Lindos, Rhodes.
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Lycian sarcophagi at Andriake (today Çayağzı), the port of ancient Myra (today Demre).
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Scene from the encounter of the Voivode of Caramania with other Ottoman officials at his residence.
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View of Corinth and Acrocorinth. In the background the Temple of Apollo (at ancient Corinth).
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Phoenician funerary monuments in the necropolis of Amrit, south of Tartus, Syria.
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A monumental building between Tartus in Syria and Tripoli in Lebanon.
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The Tetraporticon or Arch of Septimius Severus at Latakia (ancient Laodicea).
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View of the mosque built on the site of the temple of Bacchus in Latakia (ancient Laodicea).
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The mosque built on the site of the temple of Dionysus in Latakia (ancient Laodicea).
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Roman baths at Ephesus, probably the Roman baths of Varius in Selçuk, near ancient Ephesus.
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A modern structure erected on the site of the ancient cistern in Val di Noto, southeastern Sicily.
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The entrance to the monastery of Saint Nicholas in Curtea de Argeș, Romania.
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Snapshot at Olt river in Rumania. Possibly a scene from the author's journey to Bucharest.
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The village of Eski Istambul, near Kirklareli (in Greek Saranta Ekklisies).
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The stone bridge built by architect Sinan in Büyükçekmece, east of Silivri.
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Dam at Belgrade Forest, Istanbul, (most probably Valide Dam).
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Feast at Tarabya, on the northwestern coast of the Bosporus.
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Phoenician funerary monuments in the necropolis of Amrit, south of Tartus, Syria.
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The Aedicule in the Church of the Holy Sepulchre, Jerusalem.
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The Calvary Chapel in the Church of the Holy Sepulchre, Jerusalem.
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A sarcophagus from the Tombs of the Kings complex outside Jerusalem.
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The temple of Ammon, or Siwa Oracle or Temple of Zeus, in Siwa Oasis, Egypt.
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The interior of the temple of Ammon, or Siwa Oracle or Temple of Zeus, in Siwa Oasis, Egypt.