[HAYGARTH, William. Collection of 120 original sketches of Greek landscape made in 1810-1811.]
William Haygarth (1782- 1825/30) was an English poet, writer and artist. He graduated from Trinity College, Cambridge in 1805 and in 1810 obtained a traveling fellowship from the university and departed for a protracted journey to Greece. He travelled widely in the Greek lands from August 1810 to January 1811, meeting and dining with Byron in Athens. Influenced by the classicist spirit of his time, which dominated Arts and Letters in Britain, as well as fascinated by his experience of arduous travelling in Greece (in the Ionian Islands, Pindos, Central Greece, Attica and the Saronic Gulf, and the Peloponnese), and with even deeper philhellenic sentiments, he composed a unique poetic and pictorial work, in which he describes the Greek landscape and its glorious antiquities, but also genre elements of the living culture.
He composed an approximately 2400-line poem, which was for the most part written in Athens. Although overshadowed by the work of Byron, his verses, together with detailed comments and references in his diary, as well as his series of sketches in pencil and wash, (mainly brown and sometimes blue), enhance Haygarth as one of the most interesting travellers to Greece. In his notes he refers to Strabo, Thucydides, Apollonius Rhodius, Herodotus, Homer, Aeschylus, Pausanias, Sophocles, as well as Gibbon, Abbé Barthélemy and others, while commentaries on his drawings mention also Plutarch, again Strabo and Pausanias, Diogenes Laertius, Demosthenes, Athenaeus, G. Wheler and others. Last, Haygarth makes note of the language debate (the coexistence and tension between vernacular Greek, erudite Greek, ecclesiastical Greek, etc.) and cites a list of European literary works, mainly of the Enlightenment Age, that had been translated into Greek.
With his romantic style, reminiscences, associations and lyricism, in combination with realistic and imaginary elements, absent neither from his pen nor his brush, as he himself writes: “I have ventured to predict in poetry what I certainly should not be so hardy as to foretell in prose – the moral regeneration of Greece”.
Bibliography
Booth, Christopher Charles. John Haygarth, FRS (1740-1827): A Physician of the Enlightenment. American Philosophical Society (1 January 2005). p. 139.
Randel, William. "William Haygarth: Forgotten Philhellene", Keats-Shelley Journal Vol. 9, Part 2 (Autumn, 1960), pp. 86-90.
Stoneman, Richard. A Luminous Land: Artists Discover Greece. Los Angeles: Getty Publications, 1998, p. 163.
Written by Ioli Vingopoulou
Nicolas Nicolaides contributed to this entry.
Subjects (121)
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View of Cephalonia, between Argostoli and Sami. 15 August 1810.
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Bay at Cephalonia. In the background, Ithaca island. 16 August 1810.
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Landscape at Ithaca near the hill of Aetos, with the location known as “the palace of Odysseus”.
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The rock of Corax and the fountain of Arethousa on Ithaca. 16 August 1810.
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Landscape at Zakynthos: View from the village of Lithakias. August 1810.
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Ruins at ancient Nicopolis. In the foreground, the remains of the aqueduct. August 1810.
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The Nymphaeum (in the distance) and the baths of ancient Nicopolis. August 1810.
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Remains at Nicopolis, possibly a part of the ancient aqueduct. August 1810.
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Landscape at the location of Karavan Serai, between Arta and Ioannina. August 1810.
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Landscape at Epirus, between Arta and Ioannina. August 1810.
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Landscape at Epirus, between Ioannina and Souli. August 1810.
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Landscape at Pindus. In the background, Metsovo. 3 September 1810.
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Monastery of Hagios Nikolaos Anapafsas at Meteora. 6 September 1810.
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View of Mount Olympus from the vale of Tempi. 14 September 1810.
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View of Thermopylae. In the background, Mount Oeta. September 1810.
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Mount Oeta and the valley of Heraclea in Trachis. September 1810.
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Landscape between Molos and Amfissa (Salona), Phthiotis. September 1810.
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Landscape close to an inn between Molos and Amfissa. September 1810.
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Landscape at Delphi. On the right, the Castalian fountain. 22 September 1810.
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Landscape at Delphi close to the Castalian fountain. 22 September 1810.
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Mount Parnassus seen from the plain of Chaeronea. 20 September 1810.
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View of the Acrocorinth from the house of the Ottoman governor of Corinth.
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Landscape at Argos. On the hill, the ancient acropolis of Larissa. 7 October 1810.
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Landscape at Arcadia, between Tripolis and Leontari. 12 October 1810.
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Landscape between Leontari, Arcadia and Sparti, Laconia. October 1810.
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View of Alfeios river, between Leontari and Karytaina. 17 October 1810.
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Alfeios river, between Karytaina and Andritsaina. October 1810.
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Alfeios river, between Andritsaina and ancient Olympia. 19 October 1810.
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Landscape between Mandritsa, Arcadia and ancient Olympia. 20 October [1810].
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View of the gulf of Patras, between Patras and Aigion (formerly Vostitsa). 24 October 1810.
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The temple of Hephaestus from Philopappos hill. September-October 1810.
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The Odeon of Herodes Atticus and the Acropolis from Philopappos Hill. September-October 1810.
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The location known as “Tomb of Themistocles” at Piraeus. 22 January 1811.
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View of Piraeus. In the background, Salamis island. 22 January 1811.
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Landscape at Sounion. In the background, the temple of Poseidon.
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The location known as the “Tomb of Themistocles” at Piraeus.
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View of the Gulf of Corinth. In the background, possibly the Acropolis of Acrocorinth.