STACKELBERG, Otto Magnus Baron de
Otto Magnus von Stackelberg (1787-1837), the fifteenth child in his family, was raised and educated in Estonia. He studied in Germany and Moscow, and while visiting Italy he realized that painting, the arts and antiquity were to shape his life. He lived in Greece from 1810 to 1813, where he became acquainted with the large colony of European artists, intellectuals and merchants, and participated in the excavations they organized in Athens, Aegina, Phigaleia and Asia Minor. He later went to Rome, where he stayed for twelve years. He also travelled to England, France, and the Netherlands. Stackelberg spent the last two years of his life in his home country, where he died.
Influenced by the spirit of adulation of antiquity and the romantic idea of a unity between nature, life and art, typical of his time, Stackelberg travelled in Greece and Italy, his drawings capturing then current perceptions of the ancient monuments and the modern populations. In his view, the grandeur of a composition lies above all in its serenity and simplicity, not in exalted self-destructive passion. With regard to human figures, he strove to present the most vivid image of reality as a “historic moment” destined to disappear and his copperplate engravings are accompanied by well-documented commentaries. Regarding his interactions with local people, he notes: “Peasants would come up to me, my sketches made a strong impression on them. They would look at the lines and ask me with childlike ingenuity if those [the drawings] would aid the liberation of Greece from the Turks”.
Stackelberg published impressive works, mainly landscapes and standardized portraits. His first publication, which included copperplate engravings of typical figures in traditional costumes, circulated in Rome in 1825. The edition on Apollo's temple at Bassae followed in 1826, and the album of his landscapes was published in 1834. Stackelberg's drawings of human types became very popular and were reprinted numerous times, illustrating other travellers' accounts as well.
Written by Ioli Vingopoulou
STACKELBERG, Otto Magnus Baron de - Sounion
STACKELBERG, Otto Magnus Baron de - Rest Images
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Title page. The Acropolis and the Temple of Hephaestus in Athens.
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Title page of the first part of the book. The Postern Gate of the Mycenae Acropolis.
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View of Gonousa, village of Corinthian prefecture, on Mount Cyllene.
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The ruins of the Oracle of Trophonius in Livadeia, and the Catalan castle.
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Landscape on Aigaia, somewhere in between Marmari and Carystus, in Euboea.
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The valley of Nemea. In the background the pillars of the Temple of Zeus.
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Landscape on Aegina island. In the background the Temple of Aphaia.
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The ruins of the Acropolis of Panopeus and the valley of Chaeronea.
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Landscape in Mycenae. On the left the Acropolis of Mycenae and the Lions Gate.
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Landscape in Argolis. In the background the city of Nafplio.
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Peasant woman from the outskirts of Athens in festive costume.
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Peasant woman from the outskirts of Athens in festive costume.
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Village priest and child assistant to the priest from the ouskirts of Thebes.
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View of the port of Avlemonas or Kastri or Agios Nikolaos on Cythera island.
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View of Pylos from the sea. The Castle of Pylos (Niokastro).
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Chapter page. The Tholos Tomb of Mycenae or Treasury of Atreus.
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The port of Aegina as seen from the archaeological site of Kolonna.
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View of the temple of Apollo Epicurius in Bassae, Phigaleia.
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View of the temple of Apollo Epicurius in Bassae, Phigaleia.
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The course of Ladon river (tributary to Alfeios river), Arcadia.
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Lanscape in Zakynthos. The city of Zakynthos with the Venetian fortress in the background.
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Ships entering the Gulf of Corinth. The city of Patras in the background, on the right.
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Ancient Sicyon as seen from the ruins of the Ancient Theatre.
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Title page of the second part of the book. The Arch of Hadrian in Athens.
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View of Thebes with Cadmeia, the ancient acropolis of Thebes.
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View of the port of Aulis, Boeotia. Chalcis in the background.
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Remains of the polygonal walls of the acropolis on Aetos Hill, Ithaca.
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Landscape at the Vale of Tempi between Mount Olympus and Mount Kissavos.
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The tekije (dervish lodge) of Hassan Baba at the Vale of Tempi, Thessaly.
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The port of Palaiopolis, Corfu island. Landscape at Nicopolis, Epirus.
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Slab with inscription from the temple of Apollo Epicurius in Bassae.
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Song in honour of Sultan Selim (not specified which of the Sultans named Selim).
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Landscape at Figaleia. In the background, the temple of Apollo Epicurius at Bassae.
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Slab from the frieze of the temple of Apollo Epicurius in Bassae: Amazonomachy scene.
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Slab from the frieze of the temple of Apollo Epicurius in Bassae: Amazonomachy scene.
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Slab from the frieze of the temple of Apollo Epicurius in Bassae: Amazonomachy scene.
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Slab from the frieze of the temple of Apollo Epicurius in Bassae: Amazonomachy scene.
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Slab from the frieze of the temple of Apollo Epicurius in Bassae: Amazonomachy scene.
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Slab from the frieze of the temple of Apollo Epicurius in Bassae: Amazonomachy scene.
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Slab from the frieze of the temple of Apollo Epicurius in Bassae: Amazonomachy scene.
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Slab from the frieze of the temple of Apollo Epicurius in Bassae: Amazonomachy scene.
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Slab from the frieze of the temple of Apollo Epicurius in Bassae: Amazonomachy scene.
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Slab from the frieze of the temple of Apollo Epicurius in Bassae: Amazonomachy scene.
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Slab from the frieze of the temple of Apollo Epicurius in Bassae: Amazonomachy scene.
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Fragments of reliefs from the temple of Apollo Epicurius at Bassae.
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Fragments of statue, probably Apollo's, from the temple of Apollo Epicurius in Bassae.